Also, the release affects the amplitude of the harmonics generated, with a quick-release resulting in the loudest harmonics, and a slow-release resulting in the quietest. What’s really special about this plugin is that the more you compress, the more harmonics get added into the signal. The more you compress with YALA, the louder the harmonics become Power is simply a bypass function whereas oversampling introduces filtering to alleviate any aliasing and intermodulation distortion. Release and threshold work as expected with the release function ranging from a very quick to very slow setting, and the threshold behaving as a typical threshold would. The attenuation function, although seemingly meant to control the amount of attenuation, is make-up gain. It’s a little difficult to explain, but most simply put, it increases the amount of compression occurring, without increasing the signals gain in any way - somewhat similar to a ratio. Whereas one would think that Volume would be an input or maybe make-up gain, it is an input that doesn’t increase the amplitude of the signal, but instead increases the amount of signal being fed into the compressor.Īt first, it's a little unclear what these functions do. The strangeness of this plugin comes from the first 2 functions. This quirkiness is offset by how great the compression sound, but it's worth noting some of these oddities nonetheless. At first glance the functionality seems straightforward enough however, after experimenting with this plugin you’ll notice how quirky it is. Yala by Analog Obsession is a seemingly simplistic compressor. YALA models itself off of classic analog compressor tonality.
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Try this compression on a full mix or instrument group. Whereas some compressors are designed to be as non-invasive and unnoticeable as possible, the SlamPup provides an “in-your-face” sound. What’s great about this plugin is that it allows you to compress in a creative and high influential way. This is balanced nicely with the Wet/Dry function which keeps the effects from becoming extreme and distracting. This plugin causes moderate to significant harmonic generation.īy blending the two functions together, you compress and saturate the signal in a complex and significant manner. The ‘Bite’ function also introduces harmonic generation. The ‘Bite’ function employs upward compression and greater amplifies the overall level of the signal. The 'Bark' and 'Bite' functions are the main parameters to use if you want to affect change to your signal. The ‘Bark’ function works as saturation, in which compression is employed and harmonics are slowly generated. These 5 functions offer a surprising amount of flexibility and introduce complex tonality.
SlamPup - BeatskillsĪlthough novel in design, the SlamPup plugin sounds great.ĭespite its somewhat goofy and novel design, the SlamPup by Beatskills is a powerful and useful plugin best suited for parallel compression.
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We’ll master it for you and send you a free sample for you to review. We’ve ranked these plugins from great to the best ones you can find for free.įortunately, there are many free plugins that offer distinct and valuable sounds and functions.īefore we get into it, if you have a mix that you’d like to hear mastered with all analog compression, send it to us here:
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With that in mind, we comprised this list of our picks for the Top 10 Free Compression plugins that you can download and start using today. That’s why it's always helpful to know which plugins you can get for free, and which of these plugins are worth your time. Stock plugins are great, but sometimes they don't provide the functionality or tone we need. Sometimes the stock plugins just don’t do the job, and the plugins out at the time are just a little too expensive to justify a purchase.
Kotelnikov Mastering Compressor - Tokyo Dawn RecordsĬompression is an incredibly important aspect of tracking, mixing, and mastering.
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